TY - GEN
T1 - Stage machinery noise – What limits are appropriate?
AU - Melnikov, Anton
AU - Witew, I.
AU - Maeder, Marcus
AU - Gatt, M.
AU - Scheffler, M.
AU - Marburg, Steffen
N1 - Publisher Copyright:
© 2018, Institute of Acoustics. All rights reserved.
PY - 2018
Y1 - 2018
N2 - Machinery noise is a widespread problem in almost every technology branch. Especially in sensitive environments such as operas and theaters it has to be limited to appropriate levels. Even though reference values for background noise levels in auditoria are readily available in literature these limits consider steady-state noise conditions that are not applicable to the occasional use of stage machinery during performance. In parallel stage machinery noise is often addressed in tenders, but there is no consensus about the limitation values to report. This raises the question which stage machinery noise levels can be considered acceptable under realistic conditions. To answer this question extensive sound level measurements were conducted during live performance in German opera houses and speech theaters. This presentation will discuss different analysis strategies of measured data and identify frequency dependent limits for stage machinery noise that are suitable for different types of performances, e.g. opera, ballet or speech theater. Based on these limits the design of stage machinery can be more economic while achieving better acoustic quality at the same time.
AB - Machinery noise is a widespread problem in almost every technology branch. Especially in sensitive environments such as operas and theaters it has to be limited to appropriate levels. Even though reference values for background noise levels in auditoria are readily available in literature these limits consider steady-state noise conditions that are not applicable to the occasional use of stage machinery during performance. In parallel stage machinery noise is often addressed in tenders, but there is no consensus about the limitation values to report. This raises the question which stage machinery noise levels can be considered acceptable under realistic conditions. To answer this question extensive sound level measurements were conducted during live performance in German opera houses and speech theaters. This presentation will discuss different analysis strategies of measured data and identify frequency dependent limits for stage machinery noise that are suitable for different types of performances, e.g. opera, ballet or speech theater. Based on these limits the design of stage machinery can be more economic while achieving better acoustic quality at the same time.
UR - http://www.scopus.com/inward/record.url?scp=85060115114&partnerID=8YFLogxK
M3 - Conference contribution
AN - SCOPUS:85060115114
T3 - Proceedings of the Institute of Acoustics
SP - 625
EP - 628
BT - Auditorium Acoustics 2018
PB - Institute of Acoustics
T2 - Auditorium Acoustics 2018
Y2 - 4 October 2018 through 6 October 2018
ER -