TY - JOUR
T1 - Adaptation of Sources of Inspiration in Knitwear Design
AU - Eckert, Claudia
AU - Stacey, Martin
N1 - Funding Information:
Claudia Eckert’s research on sources of inspiration in knitwear design was supported by ESRC grant L12730100173 for the project Mechanisms of Inspiration in Novel Design (MIND). Her other research on knitwear design has been supported by SERC/ACME grant GR/J40331 and Open University Research Development Committee grant 717. Part of Martin Stacey’s contribution to this work was made when he was supported by EPSRC grant GR/J48689. Dr. Ken Gilhooly of the Department of Psychology at the University of Aberdeen commented helpfully on an earlier draft of this article. We are grateful to our informants and experimental subjects for the time and effort they put into participating in our research, especially to Monica Jandrisits, Annabelle Duncan, and Wendy Nicholson.
PY - 2003
Y1 - 2003
N2 - In an experimental study of designing by adaptation, professional and student knitwear designers were videotaped designing sweaters based on a Persian rug oral 9th century tapestry. The designers used a range of source-triggered and goal-directed adaptation strategies to create adaptations ranging from the closest possible translations into the medium to radical transformations of abstract characteristics. While each strategy sometimes led to each type of adaptation, the source-triggered strategies were predominant for the easy-to-adapt source (the rug) and typically led to close adaptations; while the goal-directed strategies were more common for the more difficult source (the tapestry), and more often led to more radical transformations of the source. The professional designers made more use of goal-directed strategies than the student designers. The study supports the view that creative behavior can usefully be described in terms of consistent patterns resulting from both task demands and from cognitive capacities and learned skills.
AB - In an experimental study of designing by adaptation, professional and student knitwear designers were videotaped designing sweaters based on a Persian rug oral 9th century tapestry. The designers used a range of source-triggered and goal-directed adaptation strategies to create adaptations ranging from the closest possible translations into the medium to radical transformations of abstract characteristics. While each strategy sometimes led to each type of adaptation, the source-triggered strategies were predominant for the easy-to-adapt source (the rug) and typically led to close adaptations; while the goal-directed strategies were more common for the more difficult source (the tapestry), and more often led to more radical transformations of the source. The professional designers made more use of goal-directed strategies than the student designers. The study supports the view that creative behavior can usefully be described in terms of consistent patterns resulting from both task demands and from cognitive capacities and learned skills.
UR - http://www.scopus.com/inward/record.url?scp=0346271532&partnerID=8YFLogxK
U2 - 10.1207/S15326934CRJ1504_5
DO - 10.1207/S15326934CRJ1504_5
M3 - Article
AN - SCOPUS:0346271532
SN - 1040-0419
VL - 15
SP - 355
EP - 384
JO - Creativity Research Journal
JF - Creativity Research Journal
IS - 4
ER -