Abstract
This article demonstrates how the soap opera Personal Problems reveals a crucial yet overlooked moment of Black media production in the late 1970s and early 1980s. Tracing the evolution of the show from radio drama to television program, I illuminate how video technology, generic innovation, and collaborative networks provided the foundation for new representations of Black life. While scholarly accounts typically focus on Hollywood and the LA Rebellion, I argue that the crew’s location shooting animated a critique of New York City’s media-focused urban redevelopment policies while challenging the broader inequities of creative industries. The trajectory of Personal Problems serves as a model for rethinking Black film history.
| Original language | English |
|---|---|
| Pages (from-to) | 104-134 |
| Number of pages | 31 |
| Journal | Film History: An International Journal |
| Volume | 34 |
| Issue number | 3 |
| DOIs | |
| State | Published - Sep 2022 |
| Externally published | Yes |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 9 Industry, Innovation, and Infrastructure
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SDG 11 Sustainable Cities and Communities
Keywords
- African American
- New York City
- historiography
- independent film
- location shooting
- soap opera
- video
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