Abstract
Two trains of sound-impulses (train A and train B of pure tones and white noise, respectively) with one and the same period T were superimposed and presented diotically to between three and six subjects. The subjects were required to delay train B with respect to train A in such a way that the rhythm established by the combined train (A and B together) was subjectively equable. In case of identical pulses of A and B the resulting delay time was T/2, as expected. With some approximation, the same result was obtained when the pulses differed in SPL. When the B-pulses had a longer duration than the A-pulses, the resulting delay time (between the onsets of the pulses) was systematically less than T/2, The difference was maximally 60 ms, depending upon the temporal envelope of the pulses. No influence of the period T was observable.
Titel in Übersetzung | AKUSTISCHE RHYTHMUS-WAHRNEHMUNG: SUBJEKTIVE GLEICHMAESSIGKEIT. |
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Originalsprache | Englisch |
Seiten (von - bis) | 122-126 |
Seitenumfang | 5 |
Fachzeitschrift | Acustica |
Jahrgang | 35 |
Ausgabenummer | 2 |
Publikationsstatus | Veröffentlicht - 1986 |